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Violin
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Philippe
Borer
2000 Neuchâtel
Violin
032 842 66 18
Mes centres d'intérêt portent sur l'histoire, la technique et la pédagogie du violon, la symbolique des instruments à cordes et la théorie de l'intonation. J'ai abordé ces thèmes dans: — 1. “The sweet power of strings, reflections on the musical idea of dolce”, in Exploring Virtuosities, publié sous la direction de Ch. Hoppe, Göttingen Studies in Musicology, 2018. — 2. “Grand détaché porté contro détaché traîné, un punto fondamentale della lezione viottiana”, in Giovanni Battista Viotti «professione musicista», publié sous la direction de M. Dellaborra, Rome, Società Editrice di Musicologia, 2017 http://www.sedm.it/sedm/images/stories/sfoglia/Viotti_saggi_-_anteprima.pdf — 3. “Paganini's virtuosity and improvisatory style”, in Beyond Notes, Improvisation in Western Music in the Eighteenth and Nineteenth Century, Turnhout, 2011 http://www.brepols.net/Pages/ShowProduct.aspx?prod_id=IS-9782503542447-1 — 4. “The chromatic scale in the compositions of Viotti and Paganini, a turning point in violin playing and writing for strings”, in Nicolò Paganini Diabolus in Musica, Turnhout, 2010 — 5. “Cromatismo ed espressione delle passioni in Paganini”, in Atti del Convegno Paganini Divo e Comunicatore, Gênes, 2007 https://www.yumpu.com/it/document/view/16172966/paganini-divo-e-comunicatore-violin-intonation/2 — 6. “Об аутентичных струнах Н. Паганини и не только”, in «Старинная музыка», n. 1-2 (31-32), Moscou, 2006. http://stmus.ru/Archive%20files/starmus-2006-1-2.pdf — 7. “Allusive masterpiece” (en coll. avec T. Berford), in «The Strad», oct. 2004 — 8. “Le corde di Paganini”, in Atti del Convegno Internazionale di Liuteria – Recupero e conservazione del violino Guarneri del Gesù (1743) detto Cannone, Gênes, 2004 http://www.silkqin.com/03qobj/strings/pagstrings.pdf — 9. La Pagina e l'Archetto, bibliografia violinistica storico-tecnica e studi effettuati su Niccolò Paganini, Gênes, 2003 http://www.premiopaganini.it/archivio/pdf_doc/archetto2003.pdf – 10. “La pura forma” (en coll. avec P. Cecchinelli), in «Quaderni dell’Istituto di Studi Paganiniani», n. 13, 2001. — 11. “Паганини и философия скрипки”, in Вопросы инструментоведения, abstract de la 4e conférence internationale d'organologie «Blagodatovskije čteniya», Institut Russe d' Histoire de l’Art, St Pétersbourg, 2000. — 12. “Scuola, tradizione e modernità in Paganini”, in «Nuova Rivista Musicale Italiana», 1/1999 — 13. The Twenty-Four Caprices of Niccolò Paganini, their significance for the history of violin playing and the music of the Romantic era, Zürich, 1997. — 14. “Paganini and the philosophy of the violin”, in «Quaderni dell’Istituto di Studi Paganiniani» Nº 8, oct. 1996. — 15. The Twenty-Four Caprices of Niccolò Paganini, PhD diss., https://eprints.utas.edu.au/11438/ — 16. “Feuillet d’Album”, in «Revue Musicale de Suisse Romande», Nº 2, juin 1993, pp. 101-106 — 17. “Les 24 caprices de Paganini et la constellation romantique”, in «Revue Musicale de Suisse Romande», Nº 2, juin 1993, pp. 75-85 — 18. Aspects of European Influences on Violin Playing & Teaching in Australia, MMus diss., 1988 https://eprints.utas.edu.au/18865/